李晓蒙

2015-2020美国俄亥俄大学(Ohio University)，大众传播博士      

2011-2013美国芝加哥艺术学院(The School of the Art Institute of Chicago)，新艺术新闻硕士

2007-2011美国威尔逊大学(Wilcon College)，大众传播学及艺术双学士

代表论文：

Li, X. (2023 即将出版) “I Feel Like a ‘Cyber-Gypsy’”: BL Fanfiction Writers in China’s Changing Landscape of Fandom Culture.Journal of Popular Culture. 56(2). (SSCI)

Li, X. (2022). “Yea I’m a f* Tomboy”: “girl crush,” postfeminism, and the reimagining of K-pop femininity. Social Semiotics. Social Semiotics. (Online first). (SSCI)

Ng, E. & Li, X. (2022). Brand nohomonationalism: guofeng (“National Style”) framings of boys’ love television series in China. Asian Studies Review. (Online first). (SSCI)

Li, X. (2021) Constructing the ultimate “leftover women”: Chinese media’s representation of female PhDs in the postsocialist era. Feminist Media Studies. (Online first). (SSCI)

Li, X. (2020) How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics in China. GlobalMedia and China. Vol. 5, No. 1. (ESCI)   

Ng, E. & Li, X. (2020, June). A queer ‘socialist brotherhood’: the Guardian web series, boys’ love fandom, and the Mainland Chinese stateFeminist Media Studies Vol. 20, No. 4. (SSCI)

Li, X. (2017, Fall). Political opportunity, new media, and environmental movement—case studies of Xiamen and Maoming anti-PX protest.American Review of China Studies (ARCS) Vol. 18, No. 2.

Li, X. (2017, June). The entanglement of signs: examining the political turn of Internet memes in China. Conference Proceedings: “Global Realities: Precarious Survival and Belonging” ISSN: 2187-4751

会议论文：

Li, X. (2022. 11). 空间超越时间，希望超越恐惧，现在超越过去——毛主席纪念堂与林肯纪念堂的比较研究。传播与中国·复旦论坛。

Li, X. (2022. 5).“I Feel Like a ‘Cyber-Gypsy’”: BL Fanfiction Writers in the Changing Landscape of Chinese Fan Culture. 2022 International Communication Association Convention.

Li, X. (2021.11). 日本智能手机APP游戏的国际传播对中国流行文化软实力提升的启示
 ——以《Love Live! School Idol Festival》为例。数字城市：传播研究的本土化创新——传播与中国·复旦论坛。

Li, X. (2021.11). Constructing Desire: “Femvertising” and Postsocialist China’s Transformation of Female Empowerment.The 107th NCA Annual Convention（美国全国传播学会年会）。

Li, X. (2021.5). Love and Producer vs. The Producer: A Case Study of Female Game Players’ Negotiation with Their Representation, 宁波诺丁汉大学“百年中国电影：过去、现在、未来”研讨会

Li, X.& Ng, E. (2020) Queerbaiting and queer excess in contemporary China: examining producer, viewer, and state practices around the Guardian web series. The 2020 MLA Annual Convention.

Li, X.(2019) How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics. International Communication Association Annual Convention (ICA).

Li, X.(2018) National heroes at stake: A comparative study of the mausoleum of Mao Zedong and the Lincoln Memorial. The Asian Conference on Cultural Studies.

Li, X. (2018) Changing destiny or commercializing singlehood—A critical discourse analysis of SK-II’s Advertisement on “Leftover Women.” Broadcast Education Association Annual Convention (BEA).（该文获此次会议“文化多样性类”最佳论文奖及 “性别研究类”论文第一名）

Zhang, C. & Li, X.(2017) Ghost in the Shell: Mapping the Orientalized city through the heroine cyborg's fighting. National Communication Association Annual Convention (NCA).

Li, X.(2017) The entanglement of signs: Examining the political turn of Internet memes in China. The Asian Conference on Cultural Studies.

Li, X.(2017) Political opportunity, new media, and environmental movement—Case studies of Xiamen and Maoming anti-PX protest. International Communication Association Annual Convention (ICA).

Li, X.(2017) Less confrontational but still revolutionary—Proposing “Third Cinema with Chinese Characteristics.” Popular Culture Association Annual Convention (PCA).

Li, X.(2016) Higher education as failure? Unmarried female PhDs in Chinese Media Representation. Global Fusion

上海市“浦江人才”计划：《用新媒体、新青年、新文化讲好中国故事——“粉丝文化”与中国国家形象的对外传播研究》2021-2024